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Urban Gardening in the Heat: Simple Strategies for Philly’s Scorching Summer

Remember when extreme temperatures in Philadelphia didn’t peak until late July? This summer, dangerous heat waves started in June, leaving gardens parched and withering. If your plants are struggling, you aren’t alone. We spoke with Andrew Bunting, Vice President of Horticulture at PHS, to get his best tips on protecting your Philly garden from extreme summer heat.

“Keeping plants alive during periods of extreme heat and drought on terraces, rooftops, patios and stoops can be very difficult,” said Bunting. “It is critical that plants stay well saturated. This might require watering more than once a day.” For those who do not work from home or will be away for the weekend, Bunting suggests a system with drip irrigation and a timer to allow watering more than once a day. 

“If possible, saucers can be placed under plant trays filled with water to augment watering, but this should only be a temporary measure since these saucers can be sites for mosquitoes to breed and if plants sit in water for too long, it can lead to root rot,” said Bunting. “If possible, plants can also be moved out of direct sunlight and into the shade.”

What about container gardens on balconies or in small yards? “In the height of summer, they can quickly become a heat trap – especially in dense, urban environments. Built from concrete, stone, tiles and metal, these are materials that absorb heat during the day and continue to radiate it long after the sun goes down. These spaces are often significantly hotter, windier, and drier than people realize because they’re surrounded by heat-reflecting surfaces like concrete, brick, glass, and metal,” he said. 

“One simple trick that can help plants cope with extreme heat is to move containers closer together. While it won’t lower temperatures dramatically, grouping pots creates a small micro-climate that can reduce heat stress and slow moisture loss,” said Bunting. “When plants are clustered together, their leaves naturally shade one another and help protect surfaces from direct sun. This is particularly beneficial for container plants, where compost and roots can become much hotter than the surrounding air.”

House Cooling Plants

Consider stocking up on houseplants that cool down indoor spaces while purifying the air. The Snake Plant releases oxygen at night and filters toxins while cooling down your bedroom. It requires little water and grows well in indirect light. Just be careful not to overwater it, which causes the leaves to turn yellow and rot. Aloe vera, another succulent that helps to cool the air, will also be happy in your bedroom. Plus, its gel calms mosquito bites and burns. 

Aloe vera plant at the PHS Philadelphia Flower Show. Image courtesy of PHS.

Boston fern is an excellent choice for its air-cooling properties. It requires indirect sunlight and regular misting. Best displayed as a hanging plant, it will thrive in any room, even a bathroom, where it will get frequent misting from your showers. For a floral touch, consider Peace Lilies, a natural humidifier that improves air quality. Avoid direct sunlight and use filtered or distilled water for these beauties. Lastly, the Chinese Evergreen is a powerhouse when it comes to improving indoor air quality. Its cooling ability lies in its large, variegated leaves, which steadily release moisture back into hot, dry rooms. If the leaves look crispy, give it a quick misting.

Stick to native plants

When climate change turns Philly into a steaming jungle, it’s a mistake to assume that tropical plants will fare better here. But experts suggest you continue to go native. They are more adapted to climate extremes where they grow naturally and can better tolerate heat extremes. Despite the sweltering heat, Black-eyed Susan, Lilies, Impatiens, Hydrangeas, and Sunflowers are doing well in Philly now. Swapping them for their tropical cousins native to Florida or Southern California is not the answer. Want more tips and suggestions for planting a native garden? Check out our Urban Gardener’s Guide to Native Plants

Photos from PHS’ annual Curb Appeal Challenge judging in the Nicetown-Tioga neighborhood on June 16, 2026, Becca Mathias. Image courtesy of PHS.

Recognize Signs of Heat Stress

Maybe you overslept and had no time to water your plants before you left for the day or returned from a trip a few days late. Before you check your email, look for signs of heat stress in your indoor and outdoor garden. Are leaves dry or curled up? Is a plant wilting? Don’t panic. Wait to see if the plant recovers in the evening and early morning. Only worry if it wilts for a long period of time. 

Sometimes, the edges of large leaves dry out in response to heat. Expect flower production to decrease during and immediately after a heat wave. Plants know to conserve their energy by focusing on staying alive rather than blooming.

Need more guidance or a cool place to relax?

Stop by the PHS Pop Up Garden on South Street (1438 South St.). It’s open daily with free WiFi—the perfect spot to enjoy lunch away from the sun – or join us for an event like the August Plant Swap sponsored by Solo Real Estate. For more tips on gardening in Philadelphia, read our local garden guides on creating a Pollinator-Friendly Garden, Gardening Tips for Philadelphia Rowhomes, or Fall Planting and Harvest Tips from Philly’s Community Gardens.

New Digs: From South Philly to Germantown, A Home with Room to Grow

In 2020, Sophia Dahab and her husband, Paul Sensale, bought a house in South Philadelphia that made sense at the time. Their three-bedroom, one-bathroom home near 19th and Rittner suited their lifestyle. Six years later, however, they began to realize there were things on their wish list that South Philly could not provide.

“We wanted trees, parking, and more space,” said Sophia, curator of the Rare Book Department at the Central Parkway Library. Paul, a beer distributor who spends much of his time on the road, had also grown weary of one of South Philly’s most familiar challenges: finding a parking spot at the end of the day.

“I contacted Solo agent Becca Nichols Franqui, our friend and neighbor, whom I met through her running team,” said Sophia. “I knew exactly what I wanted, an older house with character.” She also knew where she wanted to look. “I have friends who live in Germantown and had considered a house there in the past,” she said. Another draw was the Wissahickon, where she often runs.

When Sophia and Paul saw an 1896 Edwardian twin on the 5000 block of Morris Street, it was love at first sight. “We also considered Fairmount, but Germantown offered more square footage for the price,” she said. “Now we have four bedrooms, two and a half baths, and our closet space went from two to seven.”

The home also came with off-street parking, a shaded front porch, and a backyard deck. “Eventually, we’ll create a flower bed in the front yard and reduce the size of the deck in the back so we can plant a fig tree,” said Sophia.

The house itself brought everything they had been missing, including a stately stone exterior, high ceilings, natural light, original hardwood floors, a parquet vestibule, a bay window in the living room, and a butler’s staircase off the dining room. After growing up in Nebraska, living in Brooklyn for ten years, and spending six years in South Philly, Sophia finally felt like she was home.

Meanwhile, Becca helped them sell their South Philly house quickly. “It was on the market for less than three weeks,” said Sophia. “We moved to Germantown at the end of January, just before those snowstorms hit.”

Now that they have settled in, Sophia, Paul, and their two cats are enjoying the extra space. “This house was well maintained and well loved. The previous owners had recently upgraded the kitchen and bathrooms,” she said. “They even left us their curtains so we can take our time replacing them.”

Their first project will be replacing the HVAC system. After that, Sophia is thinking about paint colors for the dining room. “I’m thinking a pale coral for the walls and bright yellow for the ceiling.”

The couple has already started to feel at home in their new neighborhood. “I commute to work via Wayne Junction, which offers convenient transportation options and is also home to Attic Brewing,” said Sophia. They have also discovered nearby favorites like Material Culture and Weavers Way Food Co-op at Morris and Chelten Avenue.

Neighborhood Spotlight: Germantown

Germantown is one of Philadelphia’s historic neighborhoods, dating back to William Penn’s 1683 land grants to German and Dutch settlers, which is how the area got its name. By the 1950s, Germantown was a strong middle-class neighborhood anchored by Quaker schools, churches, and a thriving commercial corridor along Chelten Avenue.

While many parts of Philadelphia experienced dramatic demographic shifts in the mid-20th century, Germantown’s Quaker community played a notable role in maintaining neighborhood stability and welcoming new residents. Today, the section west of Germantown Avenue continues to attract buyers for its architecture, tree-lined streets, and proximity to green space.

The neighborhood’s location next to the Wissahickon Valley and East Falls adds to its appeal, along with nearby institutions like Jefferson University’s East Falls campus, Drexel University’s Queen Lane campus, and William Penn Charter School.

Germantown’s architectural character is one of its defining features, with grand 18th- and 19th-century homes set among mature trees and gardens. Notable examples of Victorian and Gothic Revival architecture can be found throughout the Tulpehocken Station Historic District, along Schoolhouse Lane, and on Wayne Avenue.

Recent investment has also helped shape the neighborhood’s future, including the $30 million renovation of the SEPTA Wayne Junction Transportation Center, the adaptive reuse of the former C.A. Rowell Department Store into Vernon Lofts, and the expansion of Weavers Way Food Co-op, which has strengthened access to fresh, local groceries.

For Sophia and Paul, the move to Germantown was about more than gaining extra bedrooms or a place to park. It was about finding a home that matched the next chapter of their lives, one with historic character, outdoor space, and room to dream about future projects, like a backyard fig tree and a colorful dining room. After years in South Philly, they found what they were looking for in Germantown: a neighborhood where they could put down roots and make a historic house their own.

Ready to find your own next chapter? Read more New Digs stories, explore Philadelphia neighborhoods, or reach out to Solo agent Becca Nichols Franqui to learn more about buying a home in Philadelphia.

A City of Artists: The Homes of Philadelphia’s Writers, Artists and Activists 

It’s no secret that Solo Real Estate is bursting with Philadelphia pride. After all, our goal for our tenants, owners, buyers, and even ourselves is to love where you live™. This year, as we celebrate the 250th anniversary of American democracy literally being imagined and written into being here in Philadelphia, it’s the perfect time to consider Philadelphia as an artistic and creative center, where artists, writers, and radical thinkers have imagined new works and new realities for centuries. This is a city that artists of all kinds have long called home, from writers to painters to musicians, and we are lucky to have so many historic spaces preserved that give us chances to explore and celebrate these figures of the city’s artistic past, even as we look to its future and search for creative inspiration ourselves. 

The current show at the Philadelphia Museum of Art in honor of our revolutionary summer is called A Nation of Artists, and it begs the question: what is an American artist, or an American art form? We don’t have any uncomplicated answers to that. But we can say that a Philadelphia artist is anyone who has called Philadelphia or the areas surrounding it. We’ll claim them, call them our own, and know they were upstanding jawns who contributed critically to our city’s artistic life. After all, that’s how we feel about the many artists who choose to make their homes in Philadelphia today, and in the future. 

Some of the homes of famous artists in and around our city serve as historic landmarks, while others remain spaces that engage with the city’s contemporary art community, but all of them are worth visiting and honoring. You probably already know about the Edgar Allan Poe House, a wonderful visit during spooky season and beyond. Here is a list of some of our other absolute favorites: 

The Paul Robeson House and Museum

Artist, activist, orator, lawyer, and athlete Paul Leroy Robeson was a truly towering figure in the history of our city, quite literally. Born in 1898 in Princeton, NJ, to a formerly enslaved father and a freeborn Quaker mother, Robeson’s storied life and many successes led him towards fame as an actor and notoriety as a Communist and political dissident. His sister Marian Forsthye’s home at 4951 Walnut Street became a haven for Robeson towards the end of his life. This house, built in 1911 by architect E. Allen Wilson, is where he spent the last 10 years of his life. Purchased by the West Philadelphia Cultural Alliance in 1994, the house is now a museum and cultural center celebrating Robeson’s life and impact locally and nationally. 

The Thomas Eakins House

Built for Benjamin Eakins, Thomas’ father, in 1854, and purchased by him in 1857, this house, located at 1727-29 Mount Vernon Street, was Thomas Eakins’ home and studio for most of his life. Eakins remains a towering figure in Philadelphia’s history. He’s well known for his art, including his many depictions of oarsmen rowing on the Schuylkill that feel startlingly contemporary, and his iconic massive depiction of Dr. Samuel Gross in the recently restored Gross Clinic, now on display at the Philadelphia Museum of Art. But Eakins’ position as professor, and eventually, director of the Pennsylvania Academy of Fine Arts cemented him as an integral part of the culture of art-making in Philadelphia. 

Not only was this house a vital part of this celebrated Philadelphia-based artist’s life, but it remains essential in Philadelphia’s contemporary moment, serving as the headquarters for the Mural Arts Program. When you walk by this house, you’re witnessing the convergence of the past, present, and future of Philadelphia’s visual art culture. 

The Arkestral Institute of Sun Ra

Recently designated as a historic landmark in 2022, 5626 Morton Street, the house of celebrated paradigm-shifting Jazz Composer and Bandleader Sun Ra, built in 1880 in Germantown, was the artist’s home from 1968 until his passing in 1993. However, the house remains a home to members of the contemporary jazz collective, Sun Ra’s Arkestra. Listen to their music as you take a walk by and let the Afrofuturistic vibes flow through you.  

The Marian Anderson Museum and Historical Society

Built in the 1870s at 762 South Martin Street, this house was purchased by singer and activist Marian Anderson in 1924 and remained her home until 1943. Anderson, a contralto and groundbreaker, was the first African American singer to perform with the Metropolitan Opera in 1955. Earlier, in 1939, when the Daughters of the American Revolution had refused to allow Anderson to sing to an integrated audience in Washington, D.C., Anderson, with the support of Eleanor and Franklin D. Roosevelt, performed an open-air concert instead on the steps of the Lincoln Memorial. A delegate for the United Nations Human Rights Committee and a Goodwill Ambassador for the US State Department, Anderson was a strong and magnificent voice in the fight for civil rights during her lifetime, in every way possible. Stop by the museum to learn more about her amazing life and legacy. 

The Wharton Esherick Museum 

A little far afield, but worth the trip, is the Wharton Esherick Museum at 1520 Horseshoe Trail, Malvern, PA, which features Esherick’s studio, which he hand-built for himself. The original farmhouse, built in 1839, was purchased by Esherick in 1913, and Esherick spent 40 years constructing his studio space in his trademark style, combining design movements like Arts and Crafts and expressionism and reclaiming wood for construction. A wood sculpture, furniture maker, designer, and visual artist, Esherick’s work was world-renowned and marked with joy and discovery, celebrating wood as a material in all its forms. A favorite series of ours includes music stands made from paint stirring sticks reclaimed from hardware stores. 

The Rosenbach Museum 

While not technically a writer’s residence, this townhouse built in 1865 at 2100 Delancy was the home of Dr. A.S.W. Rosenbach and his brother, Phillip Rosenbach. Art and book dealers, these hugely influential bibliophiles are a big part of the development of some of the most important private collections of books in our country, including the Folgers and Huntington Libraries. Their personal collection, which includes the first edition of Benjamin Franklin’s Poor Richard’s Almanac, James Joyce’s original manuscript for Ulysses, Bram Stoker’s notes for Dracula, and so many more amazing pieces, remains in Philadelphia at their former home and is available for the public to visit at the museum. This treasure trove of literature is a vital contribution to Philadelphia’s artistic community. Every year on June 16th, museum members and members of the public gather for a public reading of Ulysses in front of the museum, with events and celebrations to mark Bloomsday, all free and available to anyone interested. 

The Black Writer’s Museum

The only museum of its kind in the country, while also not a Philadelphia artist’s former home, this museum at Historic Vernon House, 5800 Germantown Avenue, is a celebration of classical and contemporary Black writers and their work. It features important archives and collections from donors available for researchers, as well as a collection available for all visitors to see, and events through the year like poetry readings, book signings, school programs, seminars, and traveling exhibitions, all aimed at helping visitors engage with the rich and diverse voices of Black writers through history and today. The museum also sponsors the People’s Poetry and Jazz Festival, a longstanding Germantown institution and a joyous celebration of art and culture in Vernon Park. 

Philadelphia’s artistic legacy isn’t confined to museums, archives, or historic markers. It lives on in the neighborhoods where people continue to write, paint, perform, organize, and imagine new possibilities every day. These homes, studios, and gathering places remind us that creativity is rooted in community and that the places we inhabit shape the stories we tell. As Philadelphia marks 250 years of revolutionary ideas, these landmarks offer more than a glimpse into the past. They invite us to consider what kind of city we want to create next, and how the artists, writers, musicians, and activists of today will leave their mark on the Philadelphia of tomorrow. At Solo Real Estate, we believe that loving where you live means understanding the people who helped make it extraordinary.

Neighborhood Histories: Spruce Hill

Spruce Hill is the sweet spot of University City in West Philadelphia, known for its historic Victorian architecture and vibrant, diverse community. Bordered by Market Street and Woodland Avenue between 40th and 49th Streets, the neighborhood first flourished not because of its proximity to the University, but because of the advent of horse-drawn trolley cars. For the first time, Philadelphians could commute downtown while living in the newly developing “suburb” of West Philadelphia. Between 1850 and 1910, residents were drawn to Spruce Hill’s spacious Queen Anne homes, leafy streets, and quieter pace of life.

From Farmland to a Streetcar Suburb

Before its development in the mid-19th century, Spruce Hill was largely rural, inhabited by a sparse population of farmers and wealthy landowners. They included William Hamilton, an architect and botanist who inherited hundreds of acres overlooking the Schuylkill and built a lavish 16-room Georgian mansion and arboretum. Now known as the Woodlands, a National Historic Landmark at 4000 Woodland Ave., it serves as a cemetery and an arboretum maintained by the University of Pennsylvania and the West Campus of St. Joseph’s University. It is also the headquarters of the Philadelphia Orchard Project. If you have an interest in horticulture and history, the Woodlands makes a delightful outing.

In 1886, architects George and William Hewitt designed a group of Queen Anne houses between 4206-18 Spruce that are described as “the most distinguished block of late 19th-century houses in the city” in Philadelphia Architecture: A Guide to the City by former Preservation Alliance director John Gallery. The Hewitts, who also designed mansions in Chestnut Hill and Main Line, gave Spruce Hill a blend of Queen Anne with High Victorian flair. This included dramatic gables, a bold color scheme, and mixed materials not found in Center City townhouses and rowhouses. Also attributed to the Hewitt Brothers are the thirteen mid-19th century, red brick, Italianate row houses between Locust and Walnut streets, and 42nd and 43rd streets. 

The neighborhood also includes Second Empire and Georgian Revival styles featuring large porches, bay windows, and decorative details. Another architect who added to the character of Spruce Hill is Charles S. Metzger. His fanciful Queen Anne house at 4232 Pine St., built in 1906, is one of nine homes he developed on Pine Street featuring semi-detached twins.  

Anthony J. Drexel was significant in Spruce Hill history, not only as the founder of Drexel University, but also as an expansive property owner and developer. Following the Civil War, he built an ornate, 45-room Italianate mansion on a property bounded by 38th, 39th, Walnut, and Locust Streets – what is now a prime slice of Penn’s campus. Drexel also built mansions for two of his sons in the Queen Ann style. One mansion is now home to the Pi Phi Chapter of Sigma Chi fraternity; another now belongs to the Alpha Tau Omega. Drexel also owned undeveloped properties between Larchwood and Spruce Streets from 46th to north of 47th.  

23 South 42nd Street Image: Stacia Friedman

The biggest developer in Spruce Hill was financier Clarence Howard Clark, who built a grandiose 34-room mansion for himself named Chestnutwold at 4200 Locust Street. The three-story brownstone mansion had hand-carved mahogany paneling, stained glass windows, hand-painted wallpaper, a private art gallery, a library, and a hydraulic elevator. But don’t go looking for it. Chestnutwold was demolished in 1916 and, today, is the site of the Penn Alexander public elementary school. But you will find a perfect example of Victorian Gothic style at 4200 Spruce, built circa 1890, which was the home of Clark’s son, Clarence Howard Clark, Jr.

Clark’s most lasting gift to Spruce Hill was Clark Park, a public park with 9 acres containing 500 trees, bordered by 43rd and 45th streets, and by Baltimore and Woodland Avenues. This is where neighbors, students, and visitors gather for picnics, chess, live music, movie nights in August, and a year-round Saturday Farmers Market featuring seasonal produce, bakery goods, and food trucks.  The park is also known for its historic Charles Dickens statue, cast in 1890, and has an annual event in February celebrating the author.

Renewal

In the 1990s, when University City experienced a rise in crime, Spruce Hill was considered less desirable until Penn made an effort to encourage faculty and staff to buy homes there by offering them zero-interest mortgages. They also improved the schools, public safety, and restored Clark Park. Since then, the area has become one of the most popular real estate markets in the City. In 2024, the Philadelphia Historical Commission voted unanimously to create the Southeast Spruce Hill Historic District, bounded by Spruce Street to the north, 39th Street to the east, Baltimore and Woodland Avenues to the south, and 43rd Street to the west. 

Spruce Hill Summer Events 

Spruce Hill’s strong sense of community is perhaps most visible during the neighborhood’s annual festivals and public events.

West Philly Porch Fest is a raucous afternoon of free live music, from Balkan to Brazilian, throughout Spruce Hill, on May 30th,12-6 pm. Check the website to see who is playing where. If you want to get a taste of the international flavor of this vibrant community, participate in the annual Baltimore Avenue Dollar Stroll, between 40th and 52nd, on Thursday, June 4th. Or, better yet, try some of Spruce Hill’s dining hot spots anytime. Sample award-winning Ethiopian cuisine at Doro Bet, Jamaican specialties at 48th Street Grille, or authentic Mexican dishes at Don Barriga. Over Memorial Day Weekend, raise a mug at Parks on Tap, May 20-25. Shakespeare in Clark Park Theatre Company presents Hamlet, July 29th-Aug. 2nd. 

Solo Real Estate’s motto, “love where you live,” validates why so many have chosen to call this thriving, architecturally significant community home. With its remarkable architecture, walkable streets, cultural diversity, and enduring community spirit, it’s easy to understand why Spruce Hill remains one of Philadelphia’s most desirable neighborhoods. More than a historic district, it is a neighborhood that continues to thrive while honoring the character that made it special in the first place.

Lighting the Way to Energy Efficiency

The city of Philadelphia has long led the way in street lighting, from 18th-century oil lamps to today’s energy-saving LED lights. To better understand the financial, health, and environmental advancements in our City’s public lighting, we need to go back to the future.

Burning the Midnight Oil

If you’ve ever relied on lighting candles during a PECO blackout, you know it’s more hassle than romantic. Imagine living in Colonial Philadelphia when lanterns with candles were the only source of light. Since candles were expensive back then, much of the City was shrouded in darkness. Then, as now, where there was darkness, there was crime. John Clifton is credited with placing the first oil lamp in front of his house at 2nd and Race Streets in 1751. Shortly after this historic lighting event, Philadelphia became the first city in America to provide its streets with public lighting. 

Fueled by whale oil, early street lamps were an improvement on candles, especially after Ben Franklin invented a four-sided, ventilated oil lamp that used replaceable flat glass panes. His design was easier to clean, maintain, and less costly than rounded glass globes. 

The Gaslight Era

Gaslight was introduced to Philadelphia in 1816 with the illumination of the Chestnut Street Theatre, designed by Henry Latrobe at Sixth and Chestnut. By the early 1800s, Philadelphia had over 1,100 oil lamps, though they were often spaced far apart, leaving pedestrians to move between pools of light and deep shadow. 

Gas lamp lighter. Image: Philadelphia Department of Records.

 The new technology was not without critics. Some denounced gas as a danger to health and safety, much the way data centers are debated today. They claimed that gas plants would emit an unpleasant, unhealthy stench. Plus, they feared gaslight would use up oxygen and affect the lungs of those in the theater. Worst-case scenario? An explosion. However, their fears did not stop Philadelphia Gas Works (PGW) from installing 46 gas lights along Second Street in 1836 or the founding of Pennsylvania Gas Globe Company in the late 19th century. 

Interior view of Warner Miskey & Merrill’s showroom, 718 Chestnut St. Philadelphia, PA, 1860. Image: Library Company of Philadelphia, Print Department. McAllister, John A. 1822-1896, collector.

Philly’s elite quickly embraced gas lighting, illuminating their townhouses with opulent, gas-fueled chandeliers. But nothing could compare with the 5,000-pound crystal chandelier, containing 240 gas jets, created for the opening of the Academy of Music in 1857. This spectacular light fixture was designed by Cornelius and Baker, whose factories were located at 181 Cherry St and 5th & Columbia, with a showroom at 176 Chestnut.

Cornelius & Baker, 181 Cherry Street, Philadelphia. Manufacturers of lamps and gas fixtures. Image: Library Company of Philadelphia, Print Department: Wainwright Philadelphia Lithographs. Rease, W. H., lithographer. Printer: Wagner & M’Guigan.

Philly Goes Electric 

In 1880, inventor Charles F. Brush pioneered the manufacture of electric street lighting systems and the generator to run them at Brush Electric Light Company in Cleveland. After lighting up his department store with Brush’s electric lights, John Wanamaker partnered with a Philadelphia textile baron and a banker to buy the rights to manufacture electric street light equipment from Brush, forming the Brush Electric Light Company of Philadelphia. 

In 1881, they installed 49 electric streetlights along Chestnut Street, one at each intersection, making the streets safer for shoppers and businessmen. Each light produced the light equivalent of 4,000 candles.

Between 1881 and 1895, more than twenty rival electric companies were established in Philadelphia. By 1902, they had all been consolidated into the Philadelphia Electric Company, known today as  PECO Energy.

Transitioning to LED

Since 2023, Philadelphia has invested in a $91 million in the Philly Street Light Improvement Project (PSIP), our City’s largest energy conservation project, installing 130,000 LED lights.  In October 2025, Mayor Parker announced, “I am thrilled to announce that Philadelphia has achieved our goal of replacing every neighborhood streetlight.” 

As a result, our street lights are 30% brighter and 50% more energy-efficient than previous high-pressure sodium lights, reducing carbon emissions and annual energy savings of $8 million. Installation prioritized areas with higher nighttime crime, safety needs, and traffic crashes. 

Philadelphia home with a modern lamp post. Image: Stephanie Aviles

The Philadelphia Energy Authority (PEA) and City leadership announced findings from a University of Pennsylvania Crime and Justice Policy Lab study showing a 21% reduction in nighttime outdoor gun crimes in areas where new lighting was installed. The new network allows for immediate, automated reporting and repair of broken lights. This is a key strategy in the City’s Municipal Energy Master Plan.

Recreating the Past

Tourists come to Philly in search of history. They flock to Society Hill, where electric lamps mimic Colonial lanterns. Although the last city-operated gas lamp was extinguished in 1959 by Mayor Richardson Dilworth at 45th & Osage, many of the old, ornamental fixtures remain throughout the City. 

Mayor Richardson Dilworth extinguished the last gas lamp in 1959. Location: 45th Street and Osage Avenue. Image: Philadelphia Department of Records.

Historic cast-iron lamp posts can be found outside the Union League at South Broad and Sansom. Vestiges of old lamps, including some from the Penn Gas Globe Light Company, are still visible in parts of the Old City.

Perhaps the most romantic nod to the past is the flickering lanterns outside the Academy of Music. A replica of the gaslights that welcomed people to the Academy’s 1857 opening, they create the illusion of stepping into the past, even while Philly continues to move boldly toward a more sustainable future. 

Philadelphia’s streetlights have always done more than illuminate the road ahead. From oil lamps to LEDs, they reflect how the City responds to change, balancing innovation, safety, and a deep respect for its past. However, the technology evolves, that mission remains the same: to light the way forward.

Philadelphia Rowhomes: Where Women’s Businesses Took Root

Philadelphia loves a rowhome. Or is it rowhouse? Disciples of each term, which describe the same kind of building style, interconnected houses lining a street or alley, fiercely debate which they prefer. But the original phrasing is even more specific and dates back to the 1800s, when “Philadelphia Row” became a catchall for the kinds of houses many Philadelphians lived in, and still live in today.

These houses haven’t just been domestic retreats from the busy streets of our city, however. For many female Philadelphians through history, rowhomes have also been the spaces in which the domestic combined with the economic, as women began to run businesses out of these neatly organized homes, entering the workforce without leaving their living rooms. 

As a female-owned business proud of its commitment to gender equality, and as a real estate company, Solo Real Estate is doubly interested in the history of these row-home-based industries and the women who ran them. Exploring the past use of these buildings adds fascinating layers to both our understanding of our city’s past and our experiences as owners and renters. 

Why run a business out of a house, you might ask? The answer lies in necessity and respectability, both in equal measure, more often than not. We talk a lot about women entering the workforce, but the truth is, women throughout history have always worked and contributed to, or were the sole breadwinners for, their families’ incomes. But for most women, that work was safest, most available, and easiest to access in the home. Jobs like mending, cleaning, dressmaking, paid childcare, accountancy, clerkship, and even writing and translating work would often be jobs that women would perform from their own homes. Selling baked goods, sewing up ball gowns, copying out documents, these were largely respectable labors and represent some of the early businesses run by women out of Philadelphia row homes. Tutoring, music lessons, and private instruction were also ways women made money and supported themselves from the security and comfort of their own living rooms. The writer of this blog post used to take private acting lessons in a row home on South Broad Street in the 1990’s!

Historic Homes on Elfreth’s Alley, Philadelphia, PA. Image: Stephanie Aviles

Some of these businesses even predate the American Revolution. In 1762, Mary Smith and Sarah Melton purchased what is now 126 Elfreth’s Alley and used it both as a residence and as their dressmaking shop. Melton ran this business, then known as a mantua maker, mantua being the term for the dress style popularized in the 1600’s, with Smith for four years until her death and then for 28 years, both on her own and with Elizabeth Carr, a divorcee who ran the business herself after Melton’s own passing. More information on this rare but not-unheard-of women-run business at the time can be found here: https://www.elfrethsalley.org/podcast/2020/6/23/episode-1-the-dressmakers

Eliza Sprout Turner (1826-1903), Philadelphia educator, writer, and progressive women’s activist. Founder of the New Century Guild. Image: Historical Society of Pennsylvania

Not only did women run businesses out of Philadelphia row homes, but one row home actually became the center of Philadelphia’s struggle for women’s rights. When the New Century Club was founded in Philadelphia in 1878, it was one of the first women’s clubs in the country. Founded to give women a space to discuss science, literature, and the arts, it quickly became a space of organization, offering educational resources to women, serving as a meeting space for ideas, and turning towards social reform, civil rights, and women’s liberation. By 1882, Elizabeth Sproat Turner,  a Philadelphia-born abolitionist and suffragette, along with other club members, founded the New Century Guild, an offshoot of the club dedicated to women’s labor, specifically. The goal of this club was to support working women, providing education and opportunities for women to turn their labor into a more stable and long-term vocation. Soon, this new organization demanded a headquarters. Where else but a Philadelphia row home? In 1906, the Guild purchased 1307 Locust Street, transforming it into a space that could meet the needs of the organization, which included bookbinders, nurses, secretaries, lawyers, artists, writers, and so many more professional women looking to help others professionalize. Offering classes, community, and support, the Guild was the center of social reform and women’s issues, and by the time it moved into 1307 Locust, it had over a thousand members. Today, this building is still a business run out of a rowhome, as it has been renovated and preserved, and functions as a boutique hotel now called Guild House Hotel

As you walk down the majority of the streets of Philadelphia, you’ll encounter row home after row home. As you do, consider the women who lived and worked in these spaces, and the many stories we don’t know because these businesses often functioned outside of the official ideas of incorporation or professionalism, spheres often barred to women in the past. 

The work done in living rooms and kitchens remains an essential part of the city’s social and economic history. Unearthing these stories teaches us more about Philadelphia’s past and the human experience and adds to the layers of time, painting our many historic row homes. Maybe even the one you live in today. 

The Secret Life Of Buildings: Philly’s Marble Stoops

Although marble steps, or “stoops,” are associated today with modest rowhouses built in the late 19th century, they first appeared in the grand Georgian homes of Philly’s 18th-century elite. A prime example is the Hill-Physick House at 321 S. Fourth St., built in 1786. A stroll along Spruce Street and its side alleys, from Second St. to Broad, reveals a variety of early- and late-19th-century marble stairs on homes of all sizes, from trinities to townhouses and mansions.

When working-class immigrants flooded into the city from the 1890s through the 1930s, the marble steps of newly built rowhouses in South, West, and North Philly conveyed a sense of pride and community. They also provided a place to cool off when summer temperatures turned rowhouses, without cross ventilation, into ovens before the advent of air conditioning. Because family members spent so much time on their steps, they became a social hub where neighbors of all ages, nationalities, and languages mingled, courted, and showed off new babies. They also provided “eyes on the street,” creating a sense of safety. Ultimately, these marble steps were a basic building block of the community.

The word stoop comes from the Dutch word stoep, meaning the raised platform at the entrance of a house. In Philadelphia, they range from a single slab of marble to four stairs, sometimes accented with wrought iron or brass railings. So where did all this marble come from? From 1790 to 1860, prized Pennsylvania Blue, or “Clouded,” Marble was quarried in Montgomery and Chester Counties, just 30 miles outside the city. It formed from limestone 450 million years ago and metamorphosed 50 million years ago. Traces of minerals such as magnesium give Pennsylvania marble its blue hue, while graphite produces gray tones.

Keystone Marble Works. 1856 Advertisement containing a montage of 5 views of the marble works established in 1855 at 2025 Market Street. Image: Herline & Co., lithographer. Library Company of Philadelphia | Print Department

It was used primarily for monumental public building projects and Greek Revival architecture, including the First Bank of the United States at 120 S. Third St. and the Merchants’ Exchange Building at 143 S. Third St., but it was also a durable regional stone used for rowhouse steps. By the late 1850s, Philadelphia supported about 60 marble-cutting establishments, including large yards and manufacturers near Ridge Avenue. Today, restorations often reuse salvaged slabs from demolished homes.

Steps at 8th and Callowhill. Image: City of Philadelphia, Department of Records.

From 1910 through the 1940s, amateur photographer John Frank Keith focused his lens on working-class men, women, and children posing on marble stoops in South Philly and Kensington. His collection of 250 portraits, held by the Library Company of Philadelphia, reveals a sepia-toned cross-section of people in their Sunday best, cavorting for the camera and documenting everyday life. Some images show up to 24 family members gathered on one set of stairs. Others capture the once-a-week ritual, usually on Saturdays, of women and children cleaning their steps and sidewalks with pride. Known as “cleaning down the block,” it was a communal effort, often accompanied by neighbors chatting and children playing in water from open fire hydrants.

Marble steps in Fishtown, Philadelphia. Image: Stephanie Aviles

While “cleaning down the block” may no longer be a weekly ritual, you can still keep your marble steps looking their best. Here are some tips on cleaning your marble steps:

Do:

  • Use a soft broom to clear away dust and debris.
  • Mix 1½ cups distilled water, ⅓ cup rubbing alcohol, and ½ teaspoon mild dish soap.
  • Use a microfiber cloth or soft sponge to gently wipe, don’t scrub.
  • Rinse with clean water to remove any residue.
  • Dry with a clean towel; water spots can stain if left to air dry.
  • If your marble looks dull, apply a small amount of marble polishing powder.

Don’t:

  • Use “multi-surface” cleaners.
  • Don’t scrub with steel wool or hard brushes.
  • Use vinegar, lemon juice, bleach, ammonia, and harsh bathroom cleaners.

Sadly, neighborhoods that once held life’s daily moments on front steps can now feel quieter. People retreat into cars, offices, and behind closed doors. Perhaps that’s because many never experienced a block where everyone knew your name, where conversations stretched across stoops, and where community was something you stepped into, not pre-scheduled. These days, unfortunately, the most reliable visitor might sometimes be an Amazon delivery.

However, the stoop is still there, waiting. And it doesn’t take much to bring it back to life. A chair. A conversation. A few minutes at the end of the day. If space allows, add a ceramic or stone planter with seasonal plantings—tulips in spring, geraniums in summer, mums in fall, winter kale in the colder months. Small gestures, maybe, but they signal something bigger: presence.

Marble steps were never just an architectural detail. They were an invitation to gather, to linger, to belong. And they still can be.

This article is part of a series titled “The Secret Life of Buildings” where we cover the history and architecture behind Philadelphia’s storied buildings. We’ve written about row house stylescourtyardsand star bolts, among other topics. What else would you like to learn about? Follow us and message us on Facebook or Instagram to let us know!

From Fashion to Foundations: Before Solo Real Estate, There Was Lousols Dept Store

This year marks the 75th anniversary of Solo Real Estate, a company founded by Stanley Solo in 1951 and taken over by Deborah Solo in 1990. In 2025, Alejandro Franqui, Deborah’s son, joined her as a partner in the company, while I, her daughter, Leah Franqui, also contributes to the family business as a writer. While we at Solo are thrilled to reach this important milestone and plan to celebrate our company history with some exciting announcements later this year, we also thought this would be a wonderful opportunity to talk about the first Solo family business – Lousols Department Store. 

Real estate photograph from 1940 commissioned by the Jackson-Cross Company depicting the Hale Building at the southwest corner of Chestnut and Juniper Streets. Built in 1887 for Keystone National Bank after designs by Willis Gaylord Hale and altered by him from 1890 to 1892. Lousols’ women’s clothing store occupies the Art Deco addition at the street level. Image: Library Company of Philadelphia, Print Department

Growing up, I was aware that our family had had a department store named Lousols, named by my great-grandfather, Louis Solo. This choice implied to me that my creative writing impulses had come from, perhaps, a different ancestor. However, it wasn’t until we decided to write this post that I realized how little I really knew about this story, and how many gaps there were in it. What follows is, if you’ll excuse the metaphor, patched and stitched together from research, interviewing Deborah, attempts at a memoir Stanley Solo wrote at various times in his life, and family lore. We’re lucky to have all that and to realize that the Solo family has been a part of Philadelphia and its business community for over a century, a fact that makes us all very proud.

Louis Solo registration card, 1953.

Around 1905, Deborah’s grandmother, Rebecca Solo nee Muchnick, moved to Philadelphia when she was about fourteen years old, dusting the New Jersey farm soil of her childhood off her shoes, determined to leave her origins, the daughter of Russian Jewish immigrants, John “Zevulon” and Matilda “Tillie” Muchnick, who had settled into American agricultural life. Along with her older sister Charlotte, Rebecca came to Philadelphia armed with little, at most a middle school education, and sheer determination. Luckily, Charlotte had sewing and embroidery skills as well, which would stand the sisters in good stead in the life they quickly started building for themselves in Philadelphia. Within the next few years, Rebecca quickly met and married Louis C. Solo, a jovial contrast to her steely determination (family legend is he gave himself the middle initial C, standing for nothing at all, in an attempt to seem more professional, although in his draft card from World War II, he listed his name as Louis Carl Solo). 

Together, Louis and Rebecca, with Charlotte’s help, created a dry goods store. By 1920, the store exclusively sold women’s clothing and was located at 133 South 13th Street, where an ad from 1921 proclaims “Lousol’s have originated a number of chic new modes at a specialized price”. Here, Charlotte’s sewing and embroidery skills were put to good use while Rebecca was the engine behind the business. By 1932, the Solos decided to expand, and they bought a building at 1318-1320 Chestnut Street, right at Chestnut and Juniper. An announcement in the Philadelphia Inquirer proudly announced that “the deep windows and interior space for an excellent setting in which the smartest of autumn fashions will be displayed to please the fashion taste of discriminating Philadelphia women.” The new store competed directly with other major local department stories like Strawbridge and Clothier, The Lit Brothers, Gimbels, and John Wanamaker’s, sold the latest styles in women’s and children’s fashions, and clothed Philadelphia residents in elegant garments, with its products regularly listed in the Inquirer’s style section of the period.

In the late 1930’s, Louis and his business partner, Harry Bernbaum, decided to renovate their store, including the façade. They hired Thalheimer and Weitz, an architecture firm established in 1924 by Clarence S. Thalheimer and David D. Weitz, local architects who had grown up in Strawberry Mansion, to create a new deco-style façade for the building, a radical change from its existing Victorian aesthetic. The firm made quite a mark on Philadelphia over its decades of work, including at least 46 projects, which you can check out here, and itself was a family business, with Jack Thalheimer becoming a partner and taking over the company, creating Thalheimer Associates. When the new façade and store renovations debuted in 1939, ads in the Philadelphia Inquirer described the store as “The Greater Lousols of Tomorrow” and a “castle in the air”, and the paper itself gushed over the work, describing “this attractive shop” with “veined Alabama marble boarding on light greys and whites. Glass brick is used profusely. Stainless steel forms the base facia and slash molds and gives the store a sparkling appearance. The façade is further beautified by a bronze awning hood.” In 1940, as the business expanded, the firm of Toll and Barkan did more internal renovations, and at this point, the store encompassed at least four floors in two buildings. 

The store in its heyday employed dozens, including Doris Hillebrand Ashley, a local fashion illustrator, needlepoint designer, and textile conservationist, who was hired by Louis as art director for the store. It’s nice to think that Louis, who worked with his wife and sister-in-law, and was Deborah’s grandfather, was egalitarian and pro-women, and we don’t have much evidence to the contrary, so why not! That said, tensions between Bernbaum and the Solos (blamed afterwards on Rebecca betraying Louis’s allyship!) eventually came to a head and resulted in Bernbaum buying the Solos out of the business. Louis Solo opened up a fur shop at 1704 Walnut, a building he owned in the 1940s. This building would eventually become offices for the real estate business that his son, Stanley Solo, would eventually create in 1951. Stanley would move his offices around Rittenhouse Square a few times, ending up in 1704 Walnut sometime in the 1970s. Outside of hawking furs, Louis Solo spent the rest of his life buying up other real estate in the area, including 2017 Chancellor Street, our current offices, and his longtime home. 

Growing up, Deborah did have pieces of Lousols’ inventory, but the family didn’t think to preserve them. As Deborah puts it, “We did have furs from his store and probably clothes with the label, which were given away over the years. It was only as an adult that I wanted to know more, and I wish I had pressed my father more on the story of our family, which I didn’t, and wanted an article of clothing with the label.” At that point, Deborah often looked for her family company’s label in thrift stores but never found it. For decades, we thought we’d never reclaim something from Lousols and made our peace with that. But when I started sewing (perhaps inheriting my interest from Charlotte, “Aunt Lottie”, whose sewing bag I still have), taking classes at Spool (now closed, though its sister company, Loop, remains), I also created a sewing blog, and I put out a call to vintage-loving collectors to keep their eye out for the Lousols label. Years later, someone actually contacted me, and we were able to secure an item, a gorgeous 1940’s blazer that fits Deborah beautifully, finally getting our hands on a Lousols original. 

As a family, we realize how lucky we are to know this much about our history. It is an honor and a privilege to have been part of Philadelphia’s history in so many ways, and to know some of that legacy and to have the material objects that speak to it. For decades, the Solo family clothed Philadelphians. Now, Deborah, Alejandro, and Leah contribute to housing them. We are lucky to be able to help Philadelphians feel comfortable and housed, and we are so honored that we can, and have long been, a part of people in Philadelphia loving where they live, be it in how they look, or what building they call home. From Lousols to Solo, we are part of the fabric and bricks of this city, and we are so happy to share our story with you in the 75th year of Solo Real Estate. 

Meet Solo Agent Leon “Mr. Brickhouse” Aksman

There are over 1,000 realtors in Philly; only one goes by “Mr. Brickhouse.” Solo agent Leon Aksman didn’t get that moniker by accident. “Nothing is better than combining a vintage brick house with modern style,” he said. “I like to restore brick facades, expose brick interiors, add contemporary kitchens, and reclaim original flooring.” Given that 70% of Philly housing stock is brick, Aksman’s is in his element. But his journey started 5,000 miles away.

“I was born in Russia and came to the US with my parents in 1981,” said Aksman. After earning a degree in Journalism and Philosophy at the University of Delaware, he worked for the Philadelphia Labor Department. Successful in that environment, Aksman might have stayed in that industry had it not been for a chance encounter. “I was at a real estate expo and met someone who offered to sponsor my real estate license. This is not what I had envisioned. It was spontaneous.” 

A high-energy, charismatic individual with an analytical mind, Aksman approached real estate with passion and determination. Since obtaining his license in 2007, he has gained expertise in the investment property market, worked with Philadelphia’s most respected real estate firms, and established a reputation as one of the city’s top agents. 

Leon inspects an antique warehouse property that features original beams, antique wood posts, and exposed brick.

Ironically, the year Aksman attained his license was the same year the national housing bubble collapsed, causing the 2008 recession and the subprime mortgage crisis, which lasted until 2010. Meanwhile, Aksman, who lived in South Philly at the time, focused on the urban landscape from Rittenhouse Square to East Passyunk. “I built my reputation in the Queen Village and Graduate Hospital areas,” he said. “Then came the pandemic, resulting in urban flight. City residents were fleeing to Montgomery County, and area realtors were following them. I decided I wasn’t going to reinvent what I do.” That meant sticking with what he knew and loved best, the South Philly and Center City housing market, and making the transition from larger, national real estate companies like Berkshire Hathaway to a smaller independent brokerage like Solo Real Estate.

“I’ve known Deborah Solo and Alex Franqui for several years. When I expressed interest in joining their team, they welcomed me onboard in 2024,” said Aksman. A Philadelphia resident for 25 years, Leon is a specialist in urban property, focusing on multi-family, investment, and redevelopment. He has successfully negotiated millions of dollars in property sales, both acquisitions and listings, involving highly complex transactions. His experience in redevelopment and project management offers his clients solid investment opportunities.

“I’ve always been active in emerging markets,” said Aksman. “You need to see where the development is and take a few steps in another direction.” These days, Mr. Brickhouse’s sweet spot is Point Breeze, Greys Ferry, and Newbold.

When he’s not carving a path through the local real estate market, Aksman is a world traveler. His favorite destinations include San Francisco, Vancouver, Milan, and Barcelona. Fluent in English, Russian, and Spanish, he is also a soccer fan. His pick for the 2026 FIFA World Cup in Philly? “I like the Spanish leagues. Brazil, Argentina, and Spain,” he said.

Whether you are looking to invest, find a larger space that accommodates your growing family or business, you’ll find Leon Aksman to be a seasoned, knowledgeable resource. Interested in investing in real estate? Reach out to Leon.